The role of the two Associate Partners is feedback and dissemination both nationally and internationally. IRCAM is additionally collaborating directly with the EG|PC Research Group on the development of the ‘Gesture Follower’.
Springdance Logo. Photos: Anna van Kooij
Springdance, which takes place in Utrecht every April, is a ‘vanguard festival’, as the Culture Council describes it. As such, it is the most prominent platform in the Netherlands for current national and international developments in contemporary dance and performance art. It actively promotes development of Dutch and foreign dancers, innovation within the discipline itself and a broadening of audiences. At key points during the period of research, and at the invitation of Springdance, Inside Movement Knowledge will connect with the festival through working conferences. This will enable the sharing of research results with professionals in the field and interested members of the general public, in a productive national and international context.
IRCAM (Institute for Research and Coordination Acoustic/Music) is one of the world’s largest public research center dedicated to both musical expression and scientific research. IRCAM is a unique location where artistic sensibilities collide payday loans guarenteed
with scientific and technological innovation. IRCAM’s three principal activities – creation, research, transmission – are manifest in IRCAM’s Parisian concert season, in the institute’s annual festival, and in productions throughout France and abroad. In the realm of music and sound, IRCAM is on the cutting edge of scientific and technological innovations.
IRCAM Research Handbook (April 2009). Click on image to loans for a wedding
open (or right-click and save) a PDF copy.
Research, carried out in partnership with several universities and international companies, covers a broad spectrum of scientific disciplines including acoustics, signal processing, computer science bill consolidation loans bad credit
(languages, real-time, databases, man-machine interfaces) musicology, and musical cognition. Since 2004, gesture research has been conducted by the Real-Time Musical Interactions Research Team, in the context of both music and dance practices. This research leads to the development of specific software such as the ‘Gesture Follower’ that has been used in several music and dance performances and installations. The Real-Time Musical Interactions Research is collaborating with Inside Movement Knowledge to the development of the installation and will erase debt
contribute to the international impact and communication of the research results.
